Enjoy this little version of Cuphead online! The boys then went home and told the residents that they are now free from their debt. The game's implementation and visual design, combined with the limited number of people available to work on the game, proved to be StudioMDHR's biggest challenge, so the Moldenhauers had to go the extra mile to bring the game to life, even remortgaging their house in order to finance the project.

Chad Moldenhauer also saw his process with its human imperfections as a reaction to the perfectionism of pixel art. Chad and Jared Moldenhauer had stated prior to release that they wanted to make an animation style that harkened back to 1930s cartoons without getting ties to racism or minstrel shows in them. Cuphead and his brother Mugman (their heads slightly different sizes accordingly) are sentient drink receptacles who lose a bet with the devil, and must collect other debtors' souls in order … The animation techniques behind Cuphead are similar to that of the 1930s cartoons. Like Carsillo, Sullivan claimed never to be frustrated with the difficulty. After completing a level, the player will be ranked with a grade based on their performance, through factors such as the time taken to defeat a boss, damage taken/avoided, and number of parried attacks. Cuphead and Mugman triumph over him, burn the contracts, and race home. He is shown to be the more confident, fun-loving and slightly cheeky type. On the fictional Inkwell Isles, Cuphead and his brother Mugman are two fun-loving kids who live under the watchful eye of Elder Kettle. After King Dice is defeated, Cuphead and Mugman meet up with the Devil, who was awaiting them in his office.

The gameplay runs at a framerate of 60, while the animation runs at 24, which is a film standard.

If the player decides to do so, the Devil turns Cuphead and Mugman into his demonic lackeys and the game ends. The Moldenhauers emulated the animation because they found it strange, and "right away it stuck". They attempted a game in the style of Cuphead in 2000, but lacked the tools to continue. He is Mugman's brother and, like the rest of his family, lives on Inkwell Isle. In some artwork, he is also shown to have fire rising out of his head. They are praised for their bravery, and an all-day celebration began. "C'mon, Mug! Jared Moldenhauer worked on other aspects of the game, though they would discuss gameplay design together. Player characters feature a parry attack that can be used on certain objects marked in pink, to various effects; the most important of them being increasing a "super meter" that enables more powerful attacks. Against the elder's warnings, the brothers enter the Devil's Casino and begin playing craps. Sullivan called the animation adorable, noting the wealth of detail present in the watercolor backdrops, and said it worked well with the gameplay. Inspired by cartoons of the 1930s, the visuals and audio are painstakingly created with the same techniques of the era, i.e. As seen in the introduction, Cuphead seems to have a somewhat greedy personality, apparently willing to risk anything to get what he wants, causing the infamous bet which nearly cost the souls of him and his brother. Ben Kuchera of Polygon wrote that Cuphead was one of the five most interesting reveals at Microsoft's E3 2014 press conference, even though he knew little about the game apart from its aesthetic. Writing for IGN, Joe Skrebels declared every scene a "masterwork" and commended the sound work, calling it an "ideal match" to the aesthetics. They sought to keep the recording processes of the time period as if the team were developing in that era. It features a completely hand drawn art style that is heavily influenced by cartoons from the 1930s such as the work of Fleischer Studios and Walt Disney. Skrebels thought that the "run 'n' gun, left-to-right platforming" lacked inventiveness, while also subjecting the "parry system" and control scheme to criticism. Cuphead's gameplay is based around continual boss fights, with interspersed run and gun levels. The Moldenhauers watched 1930s-era cartoons in their youth, which Chad Moldenhauer describes as happenstance, based on gifts and VHS compilations. Further, he saw Cuphead as a "true recreation" of hand-drawn cel animation. Inspired by cartoons of the 1930s, the visuals and audio are painstakingly created with the same techniques of the era: traditional hand drawn cel animation, watercolor backgrounds, and original jazz recordings. His face consists eyes that are very close together and a small red nose. Ride a plane and try to defeat the head of the giant birds! Before settling on him as the main character, the brothers had created around 150 different character designs, including a kappa in a tophat and characters with a plate or fork for a head. After some training, Cuphead and Mugman went to go to collect the soul contracts, using their powers to battle bosses, run through levels, and save the Once all of the soul contracts are collected, the boys meet up with King Dice, who forces them to play a "game" before they can see the Devil. Chris Schilling of PC Gamer expressed approval of the controls, saying that their "reliable jump and dash" led to more "nimble and responsive" handling. Inspired by cartoons of the 1930s, the visuals and audio are painstakingly created with the same techniques of the era, i.e. He'll know what to do!" Entertainment Weekly placed Cuphead fifth on the list of its "Best Games of 2017", while GamesRadar ranked it ninth on their list of the 25 Best Games of 2017", and Polygon ranked it 14th on their list of the "50 best games of 2017".

When they go on a winning streak, the Devil himself offers to raise the stakes. Chad Moldenhauer, who had previously worked in graphic design, would hand-draw the animations and paint the backgrounds using watercolors, colorizing them in Photoshop. Unwinnable writer Yussef Cole wrote an essay titled "Cuphead and the Racist Spectre of Fleischer Animation", in which he thought that by using the rubber hose animation style, Studio MDHR also brought up the "bigotry and prejudice" which had a strong influence on early animation, thinking that Studio MDHR ignored the context and history of the aesthetic it "so faithfully" replicated. He said it "stood out immediately" and that everyone in the website's press room viscerally reacted to the trailer. When used as a Super Art, his ghost is muscular and his expression is determined.

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