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Three years later, James Brown “Lift Every Voice and Sing” would remain an essential part of the fabric of Black culture in the coming decades, with The musician Jon Batiste has played his part in keeping the song relevant: as the bandleader of Stay Human, which anchors But Batiste also recognizes the more somber aspects of the song, especially given that his grandfather, who was the president of a New Orleans postal workers union, often marched to the song at Civil Rights protests. “One of the most rewarding parts of the show was making that change. “Lift Every Voice and Sing,” however, would soon regain its urgency, as harrowing police violence and unwavering systems of segregation would mar the early pacifist optimism of the Civil Rights Movement.

“I’m thinking about the ways in which symbols are manipulated for profiteering, for easy concessions in moments of violence, and become an opportunity to elide accountability for the structural damage the NFL in particular continues to wreak out.” Regardless of the song’s usage this September, its influence on Black culture over more than a century has been immeasurable—and musicians like Batiste hope that it will continue to represent solidarity and defiance for years to come. “I started humming it to her every day. By signing up you are agreeing to our

Maya Angelou, in her autobiography When the Civil Rights Era began in the 1950s, “Lift Every Voice and Sing” was sung during organizational meetings for the Montgomery Bus Boycott and quoted in speeches by Dr. Martin Luther King, Jr.


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I swear I felt pure joy shining down on us.

The poem was eventually set …

In 1919, the NAACP named it its official song; James Weldon Johnson would be appointed the organization’s first African American executive secretary a year later. Entertainment “For it to be co-opted by an organization like the NFL is very troubling to me,” Shana Redmond, a professor of musicology and African American studies at the University of California, Los Angeles, says. Music

Before long, “Lift Every Voice and Sing” would become, in Perry’s words, “a universal signifier of Black identity.” It was sung at church services, civic organization meetings, pageants and graduations; it anchored Emancipation Day and “I sang the Negro National Anthem when I was hungry,” Congresswoman Maxine Waters wrote in As Black activists continued to mobilize in their fight against discrimination and segregation, “Lift Every Voice and Sing” took on an increasingly political bent, symbolizing defiance in the face of white oppression.

When George Floyd was killed by Minnesota police earlier this year, Batiste organized a musical protest in New York, marching from Union Square to Washington Square Park.

“When you play that song, people rise up and stand together and remember all that we have gone through,” he says.

In 1899, James set out to write a poem commemorating the birthday of Abraham Lincoln. Following King’s assassination, a crowd in Roxbury, Mass., sang the song, with Reverend Virgil Wood declaring, “We will not sing the anthem that has dishonored us, but we will sing the one that has honored us.” The song was played regularly at Black nationalist meetings, and in 1972 became the anthem for Black students in Newark who staged walkouts demanding Black teachers and Black curriculum.

Jon Batiste leads a protest March in Manhattan in June 2020, where he and his band performed "Lift Every Voice and Sing." “The As the song was passed along communally, it was also boosted by powerful Black leaders and organizations, including the National Association of Colored Women’s Clubs and Booker T. Washington. Kamala Harris Is the Third Woman to Run as a Vice Presidential Candidate for a Major U.S. Party. © 2020 TIME USA, LLC.
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James Weldon Johnson and John Rosamond Johnson, two brothers from Jacksonville, Fla., were steeped in these institutions: James was a poet, lawyer and the principal of a segregated school, while John Rosamond taught music there.

During the NFL’s opening week, “Lift Every Voice and Sing” will be performed before each game, ahead of “The Star Spangled Banner,” as an effort to reinforce the league’s professed newfound alignment with Black Lives Matter. But as folk music rose to the fore, the song was soon supplanted by a new wave of freedom songs like “We Shall Overcome” and “We Shall Not Be Moved,” whose simple and direct choruses were sung with fervor at marches from Selma to Washington. He and his band opened the procession with the song, and then played it four to five times along the way, with marchers singing along. Meanwhile, when the NFL announced it would feature the song on opening week, some members of the Black community felt that the decision ignored the song’s history and original intent.

One day I was randomly singing the black national anthem to Rumi while putting her to sleep. But they understood the feeling it gave them.” The Black National Anthem, also known as ‘Lift Every Voice’, is a song written as a poem by James Weldon Johnson in 1900.The poem was eventually set to music by his brother Rosamond in 1905.

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